Celebrating
Nordic Music & Culture
Since 2005

What is the Edvard Grieg Society

  • present concerts of Norwegian and other Nordic music by local and visiting artists;
  • sponsor juried competitions among young artists;
  • present symposia, workshops and other educational activities; and,
  • disseminate information about Nordic concerts regionally, nationally and internationally among organizations with similar purposes.

Live Performances

Engaging Lectures

Exciting Competitions

View our 2025-26 Season

01 June 2026

This program is currently postponed until a later time - Program & Date TBA A Fulbright Scholar and Fellow of the American Scandinavian Foundation, Ms. Jordheim studied and conducted research[...]

Mindekirken: The Norwegian Lutheran Memorial Church
924 E 21st St Minneapolis, MN 55404 United States
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“Artists like Bach and Beethoven erected churches and temples on the heights. I only wanted to build dwellings for men in which they might feel happy and at home.”
– Edvard Grieg

Our Mission Statement

The Mission of  EGSMN is to further the knowledge and appreciation of the music of Norwegian composer Edvard Grieg and other Nordic composers. 

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Håkon Kornstad, the Norwegian saxophonist known as "Tenor Who Plays Tenor" closes our 2025-26 season this Tuesday, April 14 with a solo jazz concert at Mindekirken – The Norwegian Lutheran Memorial Church at 7:00 pm.

His presentation creatively blends jazz and operatic strains, accompanying himself through the technique of "looping" where he lays down layers of sound, building an accompaniment to his jazz improvisations and operatic vocalizations.

The result is hauntingly effective as sampled in this video clip.

Mr. Kornstad will also be the featured speaker earlier in the day at Mindekirken's Tuesday Open House. www.mindekirken.org/event-details/the-tenor-who-plays-tenor-presenter-hakon-kornstad

General admission seating. Pay as you will admission accepted at the door or online at egsmn.org/concert/norwegian-jazz-artist-hakon-kornstad $20 suggested donation.

youtu.be/QVlE-GrDoyg?si=HHmtpxYuF_tXyh8m
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Preview of Håkon Kornstad April 14 concert: "Ideale" from NRK TV Broadcast See MoreSee Less

What to expect from the April 14 Håkon Kornstad concert?

Something fresh, new, original and virtuosic.

In a recent interview, Håkon Kornstad explained that he doesn’t remember the last concert he has performed. For him, everything is in front of him. There is one exception: The first piece he’ll play in a solo concert is named, paradoxically for a Norwegian, "Sweden," and features his lyrical and soulful tenor saxophone as well as his command of extended techniques such as harmonics and slap-tonguing.

From there he reveals, bit by bit, the rest of his artistic assets – using an outdated electronic device to record and playback audio loops to accompany his improvisations, creating an oriental, microtonal sound by putting a clarinet mouthpiece on a flute (the “flutonette”), whistling as if a new instrumental category had been born, and singing as he was trained at the Oslo Academy of Opera. The exact compositions are less important than the successive revelations of what one man can create.

You will hear the arbitrary walls between jazz and opera crumble. Who among lovers of beautiful music can defend them? While few have tried, Kornstad has endeavored to make music that unites their treasures.

“My solo performances,” he says, “combine solo saxophone improvisation with extended techniques such as multiphonics and slap tongue, approached not as effects but as melodic and expressive tools. The music unfolds with an elegiac, romantic, and often melancholic character. Sound layers are gently built using an intentionally outdated looping device, used solely to support and vary the improvisation rather than to foreground technology. On top of these textures, the voice enters as a kind of remembered sound – fragments drawn from the golden age of classical singing.

“Rather than full operatic arias, which can be too dramatic for this environment, I work with stretched citations and lyrical excerpts from composers such as Tosti, Respighi, Gluck, and Purcell. The Nordic song tradition is equally central, with music by Grieg and Sibelius, alongside Nordic hymns and sacred songs.”
See MoreSee Less

What to expect from the April 14 Håkon Kornstad concert?

Something fresh, new, original and virtuosic.

In a recent interview, Håkon Kornstad explained that he doesn’t remember the last concert he has performed. For him, everything is in front of him. There is one exception: The first piece he’ll play in a solo concert is named, paradoxically for a Norwegian, Sweden, and features his lyrical and soulful tenor saxophone as well as his command of extended techniques such as harmonics and slap-tonguing.

From there he reveals, bit by bit, the rest of his artistic assets – using an outdated electronic device to record and playback audio loops to accompany his improvisations, creating an oriental, microtonal sound by putting a clarinet mouthpiece on a flute (the “flutonette”), whistling as if a new instrumental category had been born, and singing as he was trained at the Oslo Academy of Opera. The exact compositions are less important than the successive revelations of what one man can create.

You will hear the arbitrary walls between jazz and opera crumble. Who among lovers of beautiful music can defend them? While few have tried, Kornstad has endeavored to make music that unites their treasures.

“My solo performances,” he says, “combine solo saxophone improvisation with extended techniques such as multiphonics and slap tongue, approached not as effects but as melodic and expressive tools. The music unfolds with an elegiac, romantic, and often melancholic character. Sound layers are gently built using an intentionally outdated looping device, used solely to support and vary the improvisation rather than to foreground technology. On top of these textures, the voice enters as a kind of remembered sound – fragments drawn from the golden age of classical singing.

“Rather than full operatic arias, which can be too dramatic for this environment, I work with stretched citations and lyrical excerpts from composers such as Tosti, Respighi, Gluck, and Purcell. The Nordic song tradition is equally central, with music by Grieg and Sibelius, alongside Nordic hymns and sacred songs.”
1 month ago

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2 months ago

More photos from the Feb. 24 celebration of the 150th anniversary of the premiere of Peer Gynt. Sold out performance at MetroNOME Brewery. See MoreSee Less

More photos from the Feb. 24 celebration of the 150th anniversary of the premiere of Peer Gynt. Sold out performance at MetroNOME Brewery.Image attachmentImage attachment+Image attachment
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